Wednesday, May 8, 2019

Modern Science Fiction Films Term Paper Example | Topics and Well Written Essays - 2500 words

Modern Science Fiction Films - Term Paper ExampleIn recent science fiction films, mans power to control his environment has increased, especially through the applications of science, fiction moves from the heroic mark to concern itself with the relationship between man and the power that is mans most important creation. Science fiction is the literary productions that takes technology seriously. It must deal with the relationship of man to his creation and with the combined power and responsibility that ensues. In Fritz Lang (1927) Metropolis, Joh Fredersen serves as an instructive paradigm Joh Fredersen not only arrogates to himself the role of creator, but also botches his responsibility towards his creation, paying(a) an enormous personal price for his hubris. From its generic inception, so has been a literature questioning mans ability to implement effectively the power he is so capable of creating (Gibson 1986). Very often this power is symbolized by nigh terrible weapon of destruction. If people are to change our sociopolitical behavior, they need to know the assumptions it rests upon, not what we believe to be true but what we actually do when we are not looking. Then, since the one thing that humans cannot do is not assume, we need to devise new assumptions to live by. As we have encoded the current assumptions in fiction, so we need to encode the new ones, to try them out as thought experiments, to make them real in our imagination, and then to adopt or reject them. This is not a call for uplifting or clean-living fiction, for self-conscious myth-making, but for creative exploration of new possibilities in human relations. Following Robertson (2000),Science fictions tendency to fetishise technology, specially military technology, and its reliance on stock types of character and plot that are often flat and caricaturing, surely limits its engagement with any meaningful comprehension of the marginal, of Otherness (p. 29).Science fiction films sho w that if the invention is a weapon, the nemesis must come from an enemy, and a superweapon requires a super enemy. Human progress comes from a combination of scientific curiosity and hard work it can be measured by technology.

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