Dr. Faustus Essay: Faustus Changing Relationship with the Audience

load Faustus Changing Relationship with the Audience any(prenominal) good drama will have interesting and multi-faceted characters some go a step further by developing some of those characters passim the story, using the events of the plot to change them in various ways. The audience (in the cuticle of a play) follows the characters throughout, watching as they move away from their originally crafted personalities and vex something different. Naturally, during this period, the audiences opinion of the characters will change, as will their sympathies. In the case of refer Faustus, it is only Faustus character that has a large enough part in the play to change perceptibly the other characters argon either consecutive characters, existing purely for the sake of the plot and ongoing story (in particular, around of the characters from the middle section of the play, from the scenes that take place in the courts of Rome and Germany), or mythological characters, such as Mephostophi lis, who are traditional morality play characters and, consequently, are restrict by their accepted dramatic roles. The character of Faustus, however, changes peachyly throughout the play, chiefly with regard to his opinions of hell and repentance. Perhaps more important than the changes his character undergoes are the situations in which he finds himself the audiences shifting sympathy is payable as oftentimes to his personal developments as well as his changing circumstances. At he very beginning of the play, we are introduced to Faustus in a very clinical, fair game fashion. In the Prologue, the Chorus briefly describes his past and then hints about the events to become (His waxen wings did mount above his reach, / And, melting, heavens conspird his o... ...hip between Faustus and the audience, as he fully accepts his own mistake and does not blame it totally on Lucifer or his parents or any other person. prognosis XX serves to remind us that Faustus was once a normal compassionate being and that he will end his life, after a fashion, as a human being, as the scholars vow to give his mangled limbs due burial. At various times during the play we are cheesed off by Faustus, endeared to him, laugh with him and, at the end, we feel great pity for him. It is to Marlowes great credit that he manages to take us on such a long journey with the character and gain our sympathy at the end, scorn Faustus effectively being an agent of evil. Works CitedMarlowe, Christopher. The Tragical History of Doctor Faustus. The Norton Anthology of English Literature. 6th ed. Eds. M.H. Abrams et. al. New York W.W. Norton and Co, 1993.