Spiritual Shallowness in The Great Gatsby :: Great Gatsby Essays

Spiritual Shall holdess in The outstanding Gatsby   The American imagine was based on the assumption that each person, no matter what his origins, could heed in life on the sole bum of his or her own skill and effort. The romance was embodied in the holy person of the self-made man.  The huge Gatsby is a fabrication about what happened to the American fantasy in the 1920s, a period when the old values that gave substance to the inhalation had been corrupted by the vulgar prosecution of wealth. Spiritual shallowness is pictured in The capacious Gatsby through the characters pursuit of designer and pleasure, the character groupings and images and the forget past.     The characters of The enormous Gatsby atomic number 18 Midwesterners who feed come east in pursuit of this new dream of money, fame, success, glamour, and excitement. Tom and Daisy must have a spacious house, a invariable of polo ponies, and friends in Europe. Gatsby must have his e normous residence before he can feel confident enough to correct to win Daisy. The expertness that might have gone into the pursuit of direful goals has been channeled into the pursuit of power and pleasure, and a very showy, but fundamentally blank form of success. Fitzgerald employs all the way defined character groupings and various images and symbols in ontogeny the write up. Character groups hold chip, the observer and commentator, who sees what has gone wrong, Gatsby, who lives the dream purely, and Tom, Daisy, and Jordan, the foul scatter who are the pinnacle examples of the corruption of the dream.   The primary images and symbols used are, the green light, the eyeball of Dr. T. J. Eckleburg, the image of the due east and Midwest, Owl Eyes, Dan Codys yacht and religious terms such(prenominal) as grail and incarnation.   Both the character groupings and the images and symbols suggest a flash major theme that may be referred to as sight and insight. T he novel contains many images of blindness, possibly because hardly anyone seems to see what is really going on. The characters have little self-knowledge and even up less knowledge of each other. Especially Gatsby- he lacks the insight to visualise what is happening. He never truly sees either Daisy or himself, so blind is he by his dream. The only characters who see, in the sentience of understand, are Nick and Owl Eyes.Spiritual Shallowness in The Great Gatsby Great Gatsby EssaysSpiritual Shallowness in The Great Gatsby   The American Dream was based on the assumption that each person, no matter what his origins, could succeed in life on the sole basis of his or her own skill and effort. The dream was embodied in the ideal of the self-made man.  The Great Gatsby is a novel about what happened to the American dream in the 1920s, a period when the old values that gave substance to the dream had been corrupted by the vulgar pursuit of wealth. Spiritual shallowness is portrayed in The Great Gatsby through the characters pursuit of power and pleasure, the character groupings and images and the forgotten past.     The characters of The Great Gatsby are Midwesterners who have come east in pursuit of this new dream of money, fame, success, glamour, and excitement. Tom and Daisy must have a huge house, a stable of polo ponies, and friends in Europe. Gatsby must have his enormous mansion before he can feel confident enough to try to win Daisy. The energy that might have gone into the pursuit of noble goals has been channeled into the pursuit of power and pleasure, and a very showy, but fundamentally empty form of success. Fitzgerald employs clearly defined character groupings and various images and symbols in developing the theme. Character groups include Nick, the observer and commentator, who sees what has gone wrong, Gatsby, who lives the dream purely, and Tom, Daisy, and Jordan, the foul dust who are the prime examples of the corrupt ion of the dream.   The primary images and symbols used are, the green light, the eyes of Dr. T. J. Eckleburg, the image of the East and Midwest, Owl Eyes, Dan Codys yacht and religious terms such as grail and incarnation.   Both the character groupings and the images and symbols suggest a second major theme that may be referred to as sight and insight. The novel contains many images of blindness, perhaps because hardly anyone seems to see what is really going on. The characters have little self-knowledge and even less knowledge of each other. Especially Gatsby- he lacks the insight to understand what is happening. He never truly sees either Daisy or himself, so blinded is he by his dream. The only characters who see, in the sense of understand, are Nick and Owl Eyes.